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Cyprian Ekwensi as a National, Urban or Pan-African Writer

Received: 30 April 2016     Accepted: 25 June 2016     Published: 15 July 2016
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Abstract

Cyprian Ekwensi is, by any standard a major figure in African literature of the mid-twentieth Century. From its birth to date, Nigerian literature witnessed a tremendous growth and development with the early publications of the literary works of Chinua Achebe and those of Wole Soyinka respectively. However, despite the publication of about eight major novels by Cyprian Ekwensi, some literary critics still refuse to acknowledge the contribution and the importance of this popular Nigerian author. This paper attempts therefore to shed more light on the literary career of the author, his literary ideology as well as why some critics tag him to be a National, Urban or Pan-African Writer.

Published in International Journal of Literature and Arts (Volume 4, Issue 4)
DOI 10.11648/j.ijla.20160404.13
Page(s) 55-60
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2016. Published by Science Publishing Group

Keywords

Literature, National Writer, Pan-African Writer, Literary Ideology, Literary Works

References
[1] Ekwensi, C. (1954), People of the City, London: Heinemann.
[2] Ekwensi, C. (1961), Jagua Nana: London: Hutchinson.
[3] Ekwensi, C. (1962), Burning Grass: A story of the Fulani of Northern Nigeria.-Heinemann, London:
[4] Ekwensi, C. (1963), Beautiful Feathers, London: Hutchinson.
[5] Ekwensi, C. (1966), Iska, London: Hutchinson.
[6] Ekwensi, C. (1976), Survive the Peace, London: Heinemann.
[7] Françoise, B. (1978.) La Brousse ardente: Histoire Fulani du Nord du Nigeria.-Roman traduit de l’anglais Paris: Présence Africaine.
[8] Ekwensi, C. (1980), Divided We Stand, Enugu: Fourth Dimension Publishers.
[9] Ekwensi, C. (1986) Jagua Nana’s Daughter, Ibadan: Spectrum Books.
[10] Françoise, B. (1988), Jagua Nana: Roman traduit de l’anglais par.- Publié avec le concours du Centre Culturel Français de Lagos.-Nigeria. - Paris: Présence Africaine.
[11] Ekwensi, C. (1947), When Love Whispers, Yaba, Nigeria.
[12] Ekwensi, C. (1947), Ikolo, the Wrestler and other Igbo Tales, London:
[13] Ekwensi, C. (1950), The Leopard’s Claw, London:
[14] Ekwensi, C. (1960), The Drummer Boy, London: Cambridge University Press.
[15] Ekwensi, C. (1962), The Passport of Mallam Ilia, London: Cambridge, University Press.
[16] Ekwensi, C. (1962), An African’s Night Entertainment, Lagos: African University Press,
[17] Ekwensi, C. (1962), Yaba Randabout Murder, Lagos: Tortoise Series books.
[18] Ekwensi, C. (1965) The Rain-Maker and other Stories, Lagos: Africain University Press.
[19] Ekwensi, C. (1965), The Elephant-bird, London: Nelson.
[20] Ekwensi, C. (1966), The Boa Suitor, London: Nelson.
[21] Ekwensi, C. (1966), Trouble in Form, London: Cambridge University, Press.
[22] Ekwensi, C. (1966), Juju Rock, Lagos: African University Press.
[23] Ekwensi, C. (1966), Lokotown and other Stories, London: Heinemann.
[24] Ekwensi, C. (1975), Restless City and Christmas Gold with other Stories, London: Heinemann.
[25] Ekwensi, C. (1980), Motherless Baby, Enugu: Fourth Dimension Publishers.
[26] Chinua, A. (1958), Things Fall Apart, London: Heinemann.
[27] Chinua A. (1964.), No Longer at Ease, London: London: Heinemann, Arrow of God, (1964) – London: London: Heinemann.
[28] Coussy, D. (1988) Le roman nigéran Anglophone: Paris: Edition Silex.-.
[29] Dogondaji U. M. (2016) La Culture Peulh à Travers La Brousse ardente de Cyprian Ekwensi - International Conference on Fulfulde studies on the theme: Fulƃe Language Literature and Culture – organized by the Centre for Research in Nigerian Languages and Folklore, Bayero University Kano-Nigeria.
[30] Nicholai L. (1981) Conversation with African Writers. – Interviews with twenty-six African authors. – Washington: VOA. PP 37–47.
Cite This Article
  • APA Style

    Umar Muhammad Dogondaji. (2016). Cyprian Ekwensi as a National, Urban or Pan-African Writer. International Journal of Literature and Arts, 4(4), 55-60. https://doi.org/10.11648/j.ijla.20160404.13

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    ACS Style

    Umar Muhammad Dogondaji. Cyprian Ekwensi as a National, Urban or Pan-African Writer. Int. J. Lit. Arts 2016, 4(4), 55-60. doi: 10.11648/j.ijla.20160404.13

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    AMA Style

    Umar Muhammad Dogondaji. Cyprian Ekwensi as a National, Urban or Pan-African Writer. Int J Lit Arts. 2016;4(4):55-60. doi: 10.11648/j.ijla.20160404.13

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  • @article{10.11648/j.ijla.20160404.13,
      author = {Umar Muhammad Dogondaji},
      title = {Cyprian Ekwensi as a National, Urban or Pan-African Writer},
      journal = {International Journal of Literature and Arts},
      volume = {4},
      number = {4},
      pages = {55-60},
      doi = {10.11648/j.ijla.20160404.13},
      url = {https://doi.org/10.11648/j.ijla.20160404.13},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20160404.13},
      abstract = {Cyprian Ekwensi is, by any standard a major figure in African literature of the mid-twentieth Century. From its birth to date, Nigerian literature witnessed a tremendous growth and development with the early publications of the literary works of Chinua Achebe and those of Wole Soyinka respectively. However, despite the publication of about eight major novels by Cyprian Ekwensi, some literary critics still refuse to acknowledge the contribution and the importance of this popular Nigerian author. This paper attempts therefore to shed more light on the literary career of the author, his literary ideology as well as why some critics tag him to be a National, Urban or Pan-African Writer.},
     year = {2016}
    }
    

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Author Information
  • Department of Modern European Languages and Linguistics, Usmanu Dan Fodio University, Sokoto, Nigeria

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